{"id":11323,"date":"2024-06-04T14:52:26","date_gmt":"2024-06-04T12:52:26","guid":{"rendered":"https:\/\/www.ensemble-nautilis.org\/?page_id=11323"},"modified":"2024-06-05T09:35:22","modified_gmt":"2024-06-05T07:35:22","slug":"brain-songs-i-en","status":"publish","type":"page","link":"https:\/\/www.ensemble-nautilis.org\/creations\/brain-songs\/brain-songs-i-en\/","title":{"rendered":"Brain Songs #1 - EN"},"content":{"rendered":"[vc_row css=”.vc_custom_1717506136540{margin-right: 20px !important;margin-left: 20px !important;}”][vc_column][vc_single_image image=”4853″ img_size=”large” alignment=”center”][vc_column_text]\r\n

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BRAIN SONGS #1<\/h1>\r\n

CONCERT-CONE\u00c9RENCE : MUSIC & THE BRAIN<\/span><\/h5>\r\n[\/vc_column_text][vc_btn title=”VERSION FRAN\u00c7AISE” style=”gradient” gradient_color_1=”chino” gradient_color_2=”mulled-wine” size=”sm” align=”left” link=”url:https%3A%2F%2Fwww.ensemble-nautilis.org%2Fcreations%2Fbrain-songs%2Fbrain-songs-i%2F|||”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717506176788{margin-right: 20px !important;margin-left: 20px !important;}”][vc_column][vc_tta_tour style=”outline” color=”chino” spacing=”10″ gap=”4″ active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”PRESENTATION” tab_id=”1717504917196-f6edc97f-f099″][vc_column_text]Concert-Conference<\/strong> during which musicians are the subjects of studies and experimentation as part of a scientific conference facilitate by Nicolas Farrugia<\/strong>, lecturer at the IMT Atlantic and researcher in neurosciences and artificial intelligence.\r\n\r\nDuring this conference, the audience can witness an improvisation by Christophe Rocher<\/strong> (clarinettist) accompanied by various other musicians. In this improvisation, his cereal activity is recorded as well as the sound he produces followed by a phase of re-listening to the performance, during which the musician (\u201cguinea pig\u201d in this experiment) attempts to characterise and comment on the instantaneous subjective experience of the performance.\r\n\r\nFinally, the audience is invited to discuss with the musicians and scientists the musical, cognitive, sonic and neuroscientific aspects involved in the experiment, and Nicolas Farrugia proceeds to explain the object of his research, as well as the results of these experiments. Depending on the circumstances and the audience, the musician \u201cguinea pig\u201d of the conference – clarinettist Christophe Rocher – performs solo or accompanied by different groups (Trio Carol, Boreal Bee).[\/vc_column_text][vc_separator color=”chino” style=”dotted” border_width=”3″ el_width=”70″][vc_column_text]\r\n

COPRODUCTION<\/strong><\/h4>\r\nEnsemble Nautilis\u00a0<\/a>\r\n\r\n Nicolas Farrugia<\/a>, \u00a0lecturer at the IMT Atlantic and researcher in neurosciences and artificial intelligence<\/span>\r\n\r\nCollaboring with<\/u>: Universit\u00e9 Mac Gill, Universit\u00e9 de Bretagne Occidentale, IMT Atlantique, Lab-Sticc CNRS[\/vc_column_text][vc_separator color=”chino” style=”dotted” border_width=”3″ el_width=”70″][vc_column_text]With the financial support of DRAC Bretagne, R\u00e9gion Bretagne, Conseil D\u00e9partemental du Finist\u00e8re, Ville de Brest, SACEM, Henri Selmer France and JLV Sound Paris.[\/vc_column_text][vc_gallery type=”image_grid” source=”external_link” external_img_size=”120×90″ custom_srcs=”#E-8_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”][\/vc_tta_section][vc_tta_section title=”AUTHORS” tab_id=”1717504917209-ee1178dc-acf4″][vc_column_text]
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Christophe Rocher<\/span><\/a> Clarinettes, \u00c9lectro-enc\u00e9phalogramme<\/span><\/strong><\/p>\r\n

Christophe Rocher, directeur artistique et fondateur de l\u2019Ensemble Nautilis est compositeur, improvisateur et clarinettiste, form\u00e9 au conservatoire de Clichy, puis \u00e9l\u00e8ve de Jacques Di Donato, Fabrizio Cassol et Steve Coleman, il a \u00e9galement un dipl\u00f4me d\u2019ing\u00e9nieur en Intelligence Artificielle. Il a collabor\u00e9 avec des figures marquantes du jazz et de la musique improvis\u00e9e hexagonales et depuis quelques ann\u00e9es \u00e9tat-uniennes. Il d\u00e9veloppe par ailleurs depuis le d\u00e9but de sa carri\u00e8re une vision constructive de la place des musiques cr\u00e9atives dans nos soci\u00e9t\u00e9s contemporaines en agissant tant comme artiste que comme instigateur d\u2019\u00e9v\u00e9nements. \u00a0<\/span><\/p>\r\n

Nicolas Farrugia<\/span><\/a> Ma\u00eetre de conf\u00e9rences \u00e0 IMT Atlantique et enseignant chercheur en neurosciences et Intelligence Artificielle<\/span><\/strong><\/p>\r\n

Nicolas Farrugia est un chercheur au profil interdisciplinaire en neurosciences cognitives, traitement de signal et \u00e9lectronique num\u00e9rique. Il obtient son doctorat en 2008, sur le th\u00e8me de l\u2019impl\u00e9mentation mat\u00e9rielle des r\u00e9seaux neuronaux convolutifs. En 2010, Nicolas Farrugia s\u2019oriente vers le domaine des neurosciences avec une sp\u00e9cialisation en musique. Il utilise un large \u00e9ventail de m\u00e9thodes en neurosciences cognitives telles que l\u2019EEG, l\u2019IRM fonctionnelle, ainsi que des m\u00e9thodes de psychologie comportementale et de capture de mouvements. En 2015, il rejoint Telecom Bretagne pour s\u2019engager dans une d\u00e9marche transdisciplinaire, combinant des m\u00e9thodes issues des neurosciences, du Deep Learning et des impl\u00e9mentations mat\u00e9rielles. Depuis juillet 2016, il est professeur assistant \u00e0 l\u2019IMT Atlantique, au d\u00e9partement d\u2019\u00e9lectronique. Il est \u00e9galement le co-leader du projet Br.A.In (Brain inspired Artificial Intelligence). <\/span><\/div>\r\n

Passionn\u00e9s par la relation entre la place des pratiques artistiques et les sciences, ils se sont naturellement retrouv\u00e9s autour de questionnements communs concernant le fonctionnement c\u00e9r\u00e9bral du musicien, ce qui les a amen\u00e9s \u00e0 faire converger leurs pratiques et recherches respectives.<\/span> Eric Lewis<\/strong> (Enseignant \u00e0 l\u2019Universit\u00e9 Mc Gill de Montr\u00e9al, autour des musiques improvis\u00e9es et de leurs places dans nos soci\u00e9t\u00e9s), l'ing\u00e9nieur canadien Antoine Bellemare<\/strong> pour le d\u00e9veloppement du logiciel EEG, ainsi que l\u2019anthropologue Alexandre Pierrepont<\/strong>,\u00a0compagnon de route de longue date de l\u2019Ensemble Nautilis, sp\u00e9cialiste des musiques cr\u00e9atives d\u2019aujourd\u2019hui.<\/span><\/p>\r\n[\/vc_column_text][\/vc_tta_section][vc_tta_section title=\"VIDEOS\" tab_id=\"1717505328300-f808e53e-f670\"][vc_column_text]