﻿{"id":9247,"date":"2022-09-06T20:26:32","date_gmt":"2022-09-06T18:26:32","guid":{"rendered":"https:\/\/www.ensemble-nautilis.org\/?page_id=9247"},"modified":"2024-11-20T09:44:41","modified_gmt":"2024-11-20T08:44:41","slug":"abajur","status":"publish","type":"page","link":"https:\/\/www.ensemble-nautilis.org\/creations\/abajur\/","title":{"rendered":"ABAJUR"},"content":{"rendered":"[vc_row][vc_column][vc_single_image image=&#8221;10981&#8243; img_size=&#8221;1200&#215;321&#8243; alignment=&#8221;center&#8221;][vc_btn title=&#8221;ENGLISH VERSION&#8221; style=&#8221;gradient&#8221; gradient_color_1=&#8221;chino&#8221; gradient_color_2=&#8221;mulled-wine&#8221; size=&#8221;sm&#8221; align=&#8221;left&#8221; link=&#8221;url:https%3A%2F%2Fwww.ensemble-nautilis.org%2Fcreations-2%2Fabajur-en%2F|||&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\n<h1><\/h1>\n<h1 style=\"text-align: center;\">ABAJUR<\/h1>\n<h5 class=\"sous-titre\" style=\"text-align: center;\"><span style=\"color: #dcad61;\">AVENTURE MUSICALE FRANCE \/ BRESIL<\/span><\/h5>\n<p class=\"p1\" style=\"text-align: center;\">L&#8217;ensemble Nautilis invite une des grandes chanteuses et les musicien.ne.s les plus inventifs de la sc\u00e8ne jazz \/ Musique Populaire Br\u00e9silienne<span class=\"Apple-converted-space\">\u00a0 <\/span>de Sao Paulo<\/p>\n<p style=\"text-align: center;\">TOURNEE EUROPEENNE EN OCTOBRE 2024<\/p>\n[\/vc_column_text][vc_column_text]\n<p style=\"text-align: center;\"><b><em>Ju\u00e7ara MAR\u00c7AL<\/em>\u00a0 <\/b><em><span style=\"color: #dcad61;\">chant, textes &#8211; canto, letras\u00a0<\/span><\/em><br \/>\n<em><strong>Christophe ROCHER <\/strong><span style=\"color: #dcad61;\">clarinettes &#8211; clarinetas<br \/>\n<\/span><\/em><strong><em>Lello BEZERRA<\/em> <\/strong><em><span style=\"color: #dcad61;\">guitare \u00e9lectrique &#8211; guitarra<\/span><\/em><br \/>\n<em><strong>Christelle SERY <\/strong><em><span style=\"color: #dcad61;\">guitare \u00e9lectrique &#8211; guitarra<\/span><\/em><br \/>\n<strong>Maur\u00edcio TAKARA <\/strong><em><span style=\"color: #dcad61;\">percussion &#8211; percuss\u00e3o<\/span><\/em><strong><em><span style=\"color: #dcad61;\"><br \/>\n<\/span><\/em><\/strong><strong>Clara BASTOS <\/strong><em><span style=\"color: #dcad61;\">contrebasse &#8211; contrabaixo<\/span><\/em><strong><br \/>\nNicolas POINTARD <\/strong><em><span style=\"color: #dcad61;\">batterie &#8211; bateria<br \/>\n<\/span><\/em><strong>Fr\u00e9d\u00e9ric B.BRIET <\/strong><em><span style=\"color: #dcad61;\">contrebasse &#8211; contrabaixo<br \/>\n<\/span><\/em><\/em><\/p>\n[\/vc_column_text][vc_tta_tour style=&#8221;outline&#8221; color=&#8221;chino&#8221; spacing=&#8221;10&#8243; gap=&#8221;4&#8243; alignment=&#8221;center&#8221; active_section=&#8221;1&#8243; css=&#8221;.vc_custom_1663152517077{margin-right: 20px !important;margin-left: 20px !important;}&#8221; no_fill_content_area=&#8221;true&#8221;][vc_tta_section title=&#8221;PR\u00c9SENTATION&#8221; tab_id=&#8221;1662715034343-d7ded337-1438&#8243;][vc_row_inner][vc_column_inner][vc_column_text]\n<p style=\"text-align: justify;\">Apr\u00e8s 3 ann\u00e9es de voyages exploratoires musicaux au Br\u00e9sil de l\u2019Ensemble Nautilis qui ont bouscul\u00e9 toutes les certitudes, <strong>ABAJUR<\/strong> a vu le jour\u00a0: un \u00e9cho de la musique br\u00e9silienne traditionnelle par un ensemble de musicien.ne.s aux personnalit\u00e9s marquantes, sous l\u2019angle d\u2019un XXI<sup>\u00e8me<\/sup> si\u00e8cle en mouvement, des musiciens et musiciennes fran\u00e7ais.e.s et br\u00e9silien.ne.s parmi les plus \u00e9tonnants pour revisiter les musiques du Nordeste, entre tradition et modernit\u00e9, dans l&#8217;\u00e9nergie et les folies rythmiques qu&#8217;\u00e9voque l\u2019authenticit\u00e9 br\u00e9silienne.<\/p>\n[\/vc_column_text][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #dcad61;\">Estes 3 anos de explora\u00e7\u00e3o musical do Ensemble Nautilis no Brasil abalaram todas as certezas. <strong>ABAJUR<\/strong> \u00e9 o resultado: um eco da m\u00fasica tradicional brasileira por um conjunto de m\u00fasicos com personalidades excepcionais, sob o \u00e2ngulo de um s\u00e9culo 21 em movimento, alguns dos mais surpreendentes m\u00fasicos franceses e brasileiros revisitando a m\u00fasica do Nordeste, entre a tradi\u00e7\u00e3o e a modernidade, com a energia e a loucura r\u00edtmica evocadas pela autenticidade brasileira.<\/span><\/p>\n[\/vc_column_text][vc_single_image image=&#8221;10986&#8243; img_size=&#8221;470&#215;620&#8243; alignment=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><strong>ABAJUR<\/strong> ?! Au Br\u00e9sil, \u00ab abajur \u00bb signifie\u2026 abat-jour. Pour d\u00e9signer le m\u00eame objet : la m\u00eame sonorit\u00e9, la m\u00eame m\u00e9lodie. Abajur ?! Ceci n\u2019est pas un nom.<\/p>\n<p style=\"text-align: justify;\"><strong>ABAJUR<\/strong> est un point de convergence aussi \u00e9trange qu\u2019absurde, une folie exp\u00e9rimentale o\u00f9 se rencontrent, s\u2019accouplent et s\u2019entrechoquent les musiques br\u00e9siliennes du Nordeste, le rock underground de S\u00e3o Paulo, les musiques minimalistes, improvis\u00e9es, jazz. \u00c0 l\u2019image de la lumi\u00e8re canalis\u00e9e et dirig\u00e9e par un fragile c\u00f4ne en tissu, la musique totalement libre et improvis\u00e9e qui en ressort converge en un faisceau chaleureux qui sublime son objet, et parfois m\u00eame peut l\u2019\u00e9blouir.<\/p>\n<p style=\"text-align: justify;\">La musique d\u2019<strong>ABAJUR<\/strong> r\u00e9v\u00e8le la richesse et la vari\u00e9t\u00e9 des influences artistiques et culturelles de ses membres \u2013 quatre musicien.ne.s br\u00e9siliens et deux fran\u00e7ais \u2013 dont le m\u00e9tissage aboutit \u00e0 un r\u00e9pertoire de musiques originales o\u00f9 les textes et la voix de Ju\u00e7ara Mar\u00e7al fusionnent avec les cordes, vents et percussions dans un univers cylindrique, feutr\u00e9 et lumineux.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #dcad61;\"><strong>ABAJUR <\/strong>?! No Brasil, &#8220;abajur&#8221; significa&#8230; abajur (<em><span style=\"color: #dcad61;\">abat-jour<\/span><\/em> em franc\u00eas). Para designar o mesmo objeto: o mesmo som, a mesma melodia. Abajur?! Isto n\u00e3o \u00e9 um nome.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #dcad61;\"><strong>ABAJUR<\/strong> \u00e9 um ponto de converg\u00eancia t\u00e3o estranho quanto absurdo, uma loucura experimental onde a m\u00fasica brasileira do Nordeste, o rock underground de S\u00e3o Paulo, a m\u00fasica minimalista, improvisada e o jazz se encontram, acasalam e se chocam. Como a luz canalizada e dirigida por um fr\u00e1gil cone de tecido, a m\u00fasica totalmente livre e improvisada que emerge converge para uma faixa calorosa que sublima seu objeto, e \u00e0s vezes at\u00e9 o deslumbra.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #dcad61;\">A m\u00fasica de <strong>ABAJUR <\/strong>revela a riqueza e a variedade das influ\u00eancias art\u00edsticas e culturais de seus membros &#8211; quatro m\u00fasicos brasileiros e dois franceses &#8211; cuja fertiliza\u00e7\u00e3o cruzada resulta em um repert\u00f3rio de m\u00fasica original no qual a letra e a voz de Ju\u00e7ara Mar\u00e7al se fundem com cordas, ventos e percuss\u00e3o em um universo cil\u00edndrico, abafado e luminoso.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;AUDIOS&#8221; tab_id=&#8221;1696938814848-a6bedf5b-7e54&#8243;][vc_column_text]\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n\t<div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n\t\t\t<div class=\"wp-playlist-current-item\"><\/div>\n\t\t<audio controls=\"controls\" preload=\"none\" width=\"640\"\n\t\t\t><\/audio>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/www.ensemble-nautilis.org\/wp-content\/uploads\/Cachalot.mp3'>Cachalot<\/a><\/li><li><a href='https:\/\/www.ensemble-nautilis.org\/wp-content\/uploads\/Abajur-Blanc.mp3'>Abajur Blanc<\/a><\/li><li><a href='https:\/\/www.ensemble-nautilis.org\/wp-content\/uploads\/Hibab-Building.mp3'>Hibab Building<\/a><\/li><li><a href='https:\/\/www.ensemble-nautilis.org\/wp-content\/uploads\/Pe-Na-Terra.m4a'>P\u00e9 Na Terra<\/a><\/li><li><a href='https:\/\/www.ensemble-nautilis.org\/wp-content\/uploads\/Accordeom.mp3'>Accordeom<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" 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Terra<\\\/i>.\",\"meta\":{\"length_formatted\":\"6:11\"},\"image\":{\"src\":\"https:\\\/\\\/www.ensemble-nautilis.org\\\/wp-includes\\\/images\\\/media\\\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\\\/\\\/www.ensemble-nautilis.org\\\/wp-includes\\\/images\\\/media\\\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\\\/\\\/www.ensemble-nautilis.org\\\/wp-content\\\/uploads\\\/Accordeom.mp3\",\"type\":\"audio\\\/mpeg\",\"title\":\"Accordeom\",\"caption\":\"\",\"description\":\"<i>Accordeom<\\\/i>.\",\"meta\":{\"length_formatted\":\"4:40\"},\"image\":{\"src\":\"https:\\\/\\\/www.ensemble-nautilis.org\\\/wp-includes\\\/images\\\/media\\\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\\\/\\\/www.ensemble-nautilis.org\\\/wp-includes\\\/images\\\/media\\\/audio.svg\",\"width\":48,\"height\":64}}]}<\/script>\n<\/div>\n\t\n<p>Enregistr\u00e9 les 30 et 31 aout 2023 au Studio Medusa de Sao Paulo, par Janja Gomes \/\/<br \/>\nGravado em 30 e 31 de agosto de 2023 no Studio Medusa, S\u00e3o Paulo, por Janja Gomes[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;ARTISTES&#8221; tab_id=&#8221;1672325221341-c27ba0a2-d15c&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]C\u00f4t\u00e9 Br\u00e9sil :<\/p>\n<p>La chanteuse <strong>Ju\u00e7ara Marcal<\/strong> (<em>Met\u00e1-Met\u00e1, A Barca<\/em>), dont la voix passe en un instant de la douceur suave \u00e0 la violence acide\u00a0;<\/p>\n<p>Le guitariste du Pernambouc <strong>Lello Bezerra<\/strong>, qui incarne le cha\u00eenon manquant entre le rock underground de S\u00e3o Paulo et les \u00a0musiques traditionnelles de Salvador et Recife\u00a0;<\/p>\n<p>La bassiste <strong>Clara Bastos,<\/strong> qui a jou\u00e9 avec tous les grands musiciens de la musique populaire br\u00e9silienne \u00a0(<em>Tom Z\u00e9,\u00a0Itamar Assump\u00e7\u00e3o,\u00a0Socorro Lira<\/em> \u2026)\u00a0;<\/p>\n<p>Le batteur <strong>Mauricio Takara<\/strong>, mythique percussionniste du non moins mythique <em>S\u00e3o Paulo Underground\u00a0;<\/em><\/p>\n<p>Cot\u00e9 France :<\/p>\n<p>Le leader de l\u2019Ensemble Nautilis \u00a0<strong>Christophe Rocher<\/strong>, \u00a0clarinettiste et compositeur aux couleurs impr\u00e9visibles et d\u00e9tonnantes;<\/p>\n<p>La \u00a0guitariste \u00e9lectrique et \u00e9clectique <strong>Christelle S\u00e9ry <\/strong>(<em>Cairn, Ensemble Intercontemporain, ONJ<\/em>\u2026), qui concentre le jazz et la musique contemporaine dans chacun de ses sons\u00a0;<\/p>\n<p>Le prodigieux batteur prodige breton <strong>Nicolas Pointard <\/strong>\u00a0(<em>Moger<\/em>, <em>Kami Octet<\/em>)\u00a0, capable de tout jouer avec finesse, en toutes circonstances ;<\/p>\n<p>Le contrebassiste <strong>Fr\u00e9d\u00e9ric B.Briet <\/strong>(<em>Magma, Hask, Nimbus, Benoit Delbecq<\/em>\u2026), indestructible compagnon d\u2019aventures musicales et humaines\u00a0;[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<div style=\"color: #dcad61;\">\n<p>Do lado do Brasil:<\/p>\n<p>A cantora <strong>Ju\u00e7ara Marcal<\/strong> (<em>Met\u00e1-Met\u00e1, A Barca<\/em>), cuja voz muda em um instante da do\u00e7ura suave para a viol\u00eancia \u00e1cida;<\/p>\n<p>O guitarrista pernambucano <strong>Lello Bezerra<\/strong>, o elo perdido entre o rock underground de S\u00e3o Paulo e a m\u00fasica tradicional de Salvador e Recife;<\/p>\n<p>A baixista <strong>Clara Bastos<\/strong>, que j\u00e1 tocou com todos os grandes m\u00fasicos da m\u00fasica popular brasileira (<strong>Tom Z\u00e9, Itamar Assump\u00e7\u00e3o, Socorro Lira<\/strong>, etc.);<\/p>\n<p>O baterista <strong>Mauricio Takara<\/strong>, lend\u00e1rio percussionista do n\u00e3o menos lend\u00e1rio <em>S\u00e3o Paulo Underground<\/em>;<\/p>\n<p>Do lado da Fran\u00e7a:<\/p>\n<p>O l\u00edder do <em>Ensemble Nautilis<\/em>, <strong>Christophe Rocher<\/strong>, clarinetista e compositor de cores imprevis\u00edveis e explosivas;<\/p>\n<p>A ecl\u00e9tica guitarrista el\u00e9trica <strong>Christelle S\u00e9ry<\/strong> (<em>Cairn, Ensemble Intercontemporain, ONJ<\/em>&#8230;), que concentra o jazz e a m\u00fasica contempor\u00e2nea em cada um de seus sons;<\/p>\n<p>O prodigioso baterista bret\u00e3o <strong>Nicolas Pointard<\/strong> (<em>Moger, Kami Octet<\/em>), capaz de tocar tudo com delicadeza, independentemente das circunst\u00e2ncias;<\/p>\n<p>O contrabaixista <strong>Fr\u00e9d\u00e9ric B. Briet<\/strong> (<em>Magma, Hask, Nimbus, Benoit Delbecq<\/em>&#8230;), um companheiro indestrut\u00edvel em aventuras musicais e humanas;<\/p>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_single_image image=&#8221;10557&#8243; img_size=&#8221;1200&#215;320&#8243; alignment=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4 style=\"text-align: center;\"><strong><u>Biographies:<\/u><\/strong><\/h4>\n<h5><strong>Ju\u00e7ara Mar\u00e7al<br \/>\n<\/strong><em>Chanteuse et Compositrice<\/em><\/h5>\n<p>Chanteuse du groupe <em>Met\u00e1 Met\u00e1<\/em>. Elle a \u00e9galement fait partie des groupes <em>V\u00e9sper Vocal<\/em> et <em>A Barca<\/em>. Elle a sorti en 2014 l&#8217;album solo <em>ENCARNADO<\/em>. L&#8217;album a notamment remport\u00e9 le prix APCA &#8211; meilleur album de 2014, le prix State Governor &#8211; meilleur album &#8211; vote du jury, et le Multishow Shared Music Award.<\/p>\n<p>En 2015, elle sort <em>ANGANGA<\/em>, en partenariat avec Cadu Ten\u00f3rio, musicien et exp\u00e9rimentateur. En 2017, avec Rodrigo Campos et Gui Amabis, elle publie l&#8217;album <em>Sambas do Absurdo<\/em>, inspir\u00e9 du Mythe de Sisyphe d&#8217;Albert Camus. En f\u00e9vrier 2019, Ju\u00e7ara Mar\u00e7al fait ses d\u00e9buts d&#8217;actrice dans la pi\u00e8ce <em>Gota d&#8217;\u00e1gua<\/em> {Preta}.<\/p>\n<p>Ju\u00e7ara Mar\u00e7al a sorti en septembre 2021 son nouvel album solo, <em>Delta Est\u00e1cio Blues<\/em>, parrain\u00e9 par Natura Musical. La production musicale est assur\u00e9e par Kiko Dinucci. L&#8217;album est sorti en partenariat avec les labels QTV, Mais Um Discos et Goma Gringa. Delta Est\u00e1cio Blues a remport\u00e9 le prix du meilleur album de 2021 d\u00e9cern\u00e9 par le super jury du Multishow Award, et Crash celui de la meilleure chanson. L&#8217;album a \u00e9galement \u00e9t\u00e9 choisi par l&#8217;APCA comme meilleur album de 2021.<\/p>\n<div class=\"su-divider su-divider-style-dashed\" style=\"margin:15px 0;border-width:2px;border-color:#dcad61\"><\/div>\n<h5><strong>Christophe Rocher<br \/>\n<\/strong><em>Compositeur, improvisateur et clarinettiste<\/em><br \/>\n<em>Directeur artistique et fondateur de l&#8217;Ensemble <\/em><em>Nautilis <\/em><\/h5>\n<p>Form\u00e9 au Conservatoire de Clichy, puis pendant sa jeunesse par les &#8220;ma\u00eetres&#8221; <em>Jacques Di Donato<\/em>, <em>Fabrizio Cassol<\/em> et <em>Steve Coleman<\/em>, entre autres, Christophe est aujourd&#8217;hui l&#8217;un des principaux clarinettistes fran\u00e7ais, connu pour ses textures sonores et ses m\u00e9lodies complexes, et il est \u00e9galement un compositeur de jazz original et novateur.<\/p>\n<p>Il a collabor\u00e9 avec des figures importantes du jazz et des musiques improvis\u00e9es en France, en Europe et aux \u00c9tats-Unis. Il a fond\u00e9 l&#8217;<em>Ensemble Nautilis<\/em>, au sein duquel il d\u00e9veloppe sa musique \u00e0 travers des cr\u00e9ations et des projets vari\u00e9s.<\/p>\n<p>En 1991, Christophe a obtenu un dipl\u00f4me d&#8217;ing\u00e9nieur en Intelligence Artificielle, ce qui lui a permis de d\u00e9velopper tout au long de sa carri\u00e8re un regard particulier sur le lien entre la musique et le monde scientifique.<\/p>\n<p>Christophe a toujours promu une vision constructive de la place des musiques cr\u00e9atives dans nos soci\u00e9t\u00e9s contemporaines, tant en tant qu&#8217;artiste qu&#8217;en tant que cr\u00e9ateur d&#8217;\u00e9v\u00e9nements et de nouveaux groupes.<\/p>\n<div class=\"su-divider su-divider-style-dashed\" style=\"margin:15px 0;border-width:2px;border-color:#dcad61\"><\/div>\n<h5><strong>Lello Bezarra<br \/>\n<\/strong><em>Guitariste<\/em><em><br \/>\n<\/em><\/h5>\n<p>Lello Bezerra est l&#8217;un des plus grands guitaristes br\u00e9siliens de notre \u00e9poque. Il est compositeur, improvisateur, scientifique du son et artiste \u00e9ducateur.<\/p>\n<p>Artiste multigenre, Lello entretient une relation tactile avec les sons et s&#8217;int\u00e9resse particuli\u00e8rement aux rythmes br\u00e9siliens. Il cr\u00e9e de nouveaux langages et de nouvelles textures avec des guitares pr\u00e9par\u00e9es et trait\u00e9es par des g\u00e9n\u00e9rateurs de basses, de basses et de hautes fr\u00e9quences, des boucles invers\u00e9es, des micromodules et autres machines connect\u00e9es \u00e0 des bo\u00eetes actives et des amplificateurs de guitare.<\/p>\n<p>Actuellement, la forme la plus raffin\u00e9e de ce travail post-contemporain se trouve sur son premier disque solo, <em>Since Until Then.<\/em> Le spectacle de sortie a eu lieu au SESC Pomp\u00e9ia, \u00e0 S\u00e3o Paulo, en novembre 2019 et le disque a \u00e9t\u00e9 r\u00e9compens\u00e9 dans la liste des 25 meilleurs albums du second semestre 2019 par l&#8217;APCA.<\/p>\n<div class=\"su-divider su-divider-style-dashed\" style=\"margin:15px 0;border-width:2px;border-color:#dcad61\"><\/div>\n<h5><strong>Clara Bastos<br \/>\n<\/strong><em>Contrebassiste<\/em><\/h5>\n<p>Clara joue de la contrebasse \u00e9lectrique et acoustique, ayant particip\u00e9 \u00e0 des albums et des spectacles d&#8217;artistes tels que <em>Itamar Assump\u00e7\u00e3o<\/em> et <em>Orqu\u00eddeas do Brasil, Tom Z\u00e9, Luiz Tatit, Socorro Lira, Paulo Miklos, M\u00fasica de Montage, Trio Am\u00f3<\/em>, entre autres.<\/p>\n<p>Avec Itamar Assump\u00e7\u00e3o, a travaill\u00e9 pendant plus de dix ans, \u00e9tant \u00e9galement responsable de la transcription de toute sa discographie (<em>song book<\/em> &#8211; Pretobr\u00e1s 2006, en 2 volumes publi\u00e9s par Ediouro)<\/p>\n<p>Au th\u00e9\u00e2tre, en tant qu&#8217;instrumentiste, il a fait partie de la distribution de 17 spectacles musicaux, dont les plus r\u00e9cents sont <em>Eu de Voc\u00ea<\/em> (2019\/2022) de Denise Fraga,<em> Sweeney Todd<\/em> (2022) et <em>Cabaret dos Bichos<\/em> (2022).<\/p>\n<p>Elle est titulaire d&#8217;un master de l&#8217;ECA- USP avec le m\u00e9moire &#8221; Processus de composition et d&#8217;expression dans l&#8217;\u0153uvre d&#8217;Itamar Assump\u00e7\u00e3o &#8221; (2012) et d&#8217;un doctorat de l&#8217;UNESP avec la recherche &#8221; L&#8217;\u00e9tat de pr\u00e9sence dans la performance musicale &#8221; (2019).<\/p>\n<p>Elle est arrangeuse dans les projets musicaux <em>A Viva Voz<\/em> (Ruth Guimar\u00e3es\/Socorro Lira), 2021, et <em>Preto Urbano<\/em> (Salloma Jovino) 2022.<\/p>\n<div class=\"su-divider su-divider-style-dashed\" style=\"margin:15px 0;border-width:2px;border-color:#dcad61\"><\/div>\n<h5><strong>Mauricio Takara<br \/>\n<\/strong><em>Batteur, exp\u00e9rimentateur \u00e9lectronique<br \/>\n<\/em><\/h5>\n<p>Mauricio Takara, n\u00e9 \u00e0 S\u00e3o Paulo en 1982, a commenc\u00e9 \u00e0 jouer de la guitare acoustique \u00e0 l&#8217;\u00e2ge de sept ans. Deux ans plus tard, il commence \u00e0 jouer de la batterie. Takara a jou\u00e9 avec des groupes locaux de punk hardcore tout au long des ann\u00e9es 1990 et a fond\u00e9 <em>Hurtmold<\/em> en 1998, sortant cinq albums sur le label Submarine. Il a sorti son premier album solo sur Desmonta Discos en 2003 et a depuis sorti trois autres albums solo sur le m\u00eame label, le dernier \u00e9tant &#8220;<em>Sobre Todas e Qualquer Coisa<\/em>&#8221; en 2010.<\/p>\n<p>Takara a enregistr\u00e9 avec de nombreux artistes br\u00e9siliens, dont <em>Na\u00e7\u00e3o Zumbi, Vanessa Da Mata, Sabotage, Nan\u00e1 Vasconcelos<\/em> et <em>Marcelo Camelo<\/em>, ainsi qu&#8217;avec des artistes internationaux de renom comme <em>Pharoah Sanders, Archie Shepp, Yusef Lateef, Roscoe Mitchell, Bill Dixon<\/em> et <em>Prefuse 73<\/em>.<\/p>\n<p>Takara travaille \u00e9galement avec d&#8217;autres projets et musiciens de Chicago, notamment l&#8217;<em>Exploding Star Orchestra, The Eternals<\/em> et<em> Josh Abrams<\/em>.<\/p>\n<p>Takara a effectu\u00e9 des tourn\u00e9es en Europe (Sonar Festival\/Barcelone, Roskilde\/Danemark, Womex\/S\u00e9ville et Club Transmediale\/Berlin), aux \u00c9tats-Unis, en Inde (World Socials Forum) et au Br\u00e9sil (Nublu Jazz Festival, SESC Pinheiros et premi\u00e8re partie de Lo Borges et Milton Nascimento au Coquetel Molotov Festival) et est consid\u00e9r\u00e9 comme l&#8217;une des principales voix de la nouvelle vague post-tropicale de la musique br\u00e9silienne.<\/p>\n<div class=\"su-divider su-divider-style-dashed\" style=\"margin:15px 0;border-width:2px;border-color:#dcad61\"><\/div>\n<h5><strong>Nicolas Pointard<br \/>\n<\/strong><em>Batteur<\/em><\/h5>\n<p>Nicolas est l&#8217;un des batteurs fran\u00e7ais les plus originaux et les plus recherch\u00e9s. Il a commenc\u00e9 \u00e0 jouer de l&#8217;instrument \u00e0 l&#8217;\u00e2ge de 9 ans, a jou\u00e9 dans de petits groupes de m\u00e9tal trash, puis a \u00e9tudi\u00e9 la musique au lyc\u00e9e, a jou\u00e9 dans des groupes de musique traditionnelle, puis plus exp\u00e9rimentale.<\/p>\n<p>Plus tard, les enseignements de <em>C\u00e9sarius Alvim, Steve Mc Craven<\/em>, ainsi que de nombreux stages avec <em>Guillaume Orti, Beno\u00eet Delbecq<\/em> ou <em>Carlos Zingaro<\/em> ont incit\u00e9 Nicolas \u00e0 se tourner vers le Jazz et les musiques improvis\u00e9es \u00e0 la fin du si\u00e8cle dernier, mais en restant toujours curieux, jouant tout et n&#8217;importe quoi avec tout ce qui se pr\u00e9sente.<\/p>\n<div class=\"su-divider su-divider-style-dashed\" style=\"margin:15px 0;border-width:2px;border-color:#dcad61\"><\/div>\n<h5>Fr\u00e9d\u00e9ric B.Briet<br \/>\n<em>Contrebassiste<\/em><\/h5>\n<p>Musicien professionnel depuis 1980, Fr\u00e9d\u00e9ric joue dans le groupe <em>Magma<\/em>, aux cot\u00e9s de <em>Christian Vander<\/em> de 87 \u00e0 90, mais aussi avec <em>Simon Goubert<\/em>, <em>Michel Graillier<\/em>, <em>Georges Brown<\/em>, <em>Steve Grossman<\/em>, <em>Emmanuel Bex<\/em>, <em>Alain Jean-Marie<\/em>, <em>Aldo Romano<\/em>, <em>Denis Badault<\/em>, etc. En 1992, il collabore \u00e0 la cr\u00e9ation du <em>collectif Hask<\/em> aux cot\u00e9s notamment de <em>Guillaume Orti<\/em>, <em>Benoit Delbecq<\/em>, <em>Gilles Coronado<\/em>, <em>Steve Arg\u00fcelles<\/em>, <em>Hubert Dupont<\/em> et <em>Olivier Sens<\/em>, ainsi qu&#8217;\u00e0 l&#8217;<em>Orchestre P\u00e9dagogique Nimbus<\/em>, puis s&#8217;engage en 2000 dans la cr\u00e9ation du d\u00e9partement de jazz du Conservatoire de Brest.<\/p>\n<p>Fr\u00e9d\u00e9ric est l&#8217;un des membres fondateurs de l&#8217;<em>Ensemble Nautilis<\/em>, au sein duquel il collabore \u00e0 de tr\u00e8s nombreux projets artistiques (<em>Rr\u00eave S\u00e9lavy<\/em>, <em>Third Coast Ensemble<\/em>, <em>No Silenz<\/em>, <em>Brain Songs<\/em>, <em>Bonadventure Pencroff<\/em>, <em>Les B\u00fbches<\/em>, etc.)[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4 style=\"text-align: center;\"><strong><u><span style=\"color: #dcad61;\">Biografias:<\/span><\/u><\/strong><\/h4>\n<h5 style=\"color: #dcad61;\"><strong>Ju\u00e7ara Mar\u00e7al<br \/>\n<\/strong><em><span style=\"color: #dcad61;\">Cantora e compositora<\/span><\/em><\/h5>\n<p><span style=\"color: #dcad61;\">Cantora do grupo <em>Met\u00e1 Met\u00e1<\/em>. J\u00e1 integrou os grupos <em>V\u00e9sper Vocal<\/em> e <em>A Barca<\/em>. Lan\u00e7ou em 2014 o disco solo <em>ENCARNADO<\/em>. O \u00e1lbum ganhou o Pr\u00eamio APCA \u2013 Melhor \u00c1lbum de 2014, Pr\u00eamio Governador do Estado \u2013 Melhor \u00c1lbum \u2013 Voto do J\u00fari, e Pr\u00eamio Multishow de M\u00fasica Compartilhada, entre outros.<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Em 2015, lan\u00e7ou <em>ANGANGA<\/em>, em parceria com Cadu Ten\u00f3rio, m\u00fasico e experimentador carioca. Em 2017, com Rodrigo Campos e Gui Amabis, lan\u00e7ou o disco Sambas do Absurdo, inspirado no livro O Mito de S\u00edsifo, de Albert Camus. Em fevereiro de 2019, Ju\u00e7ara Mar\u00e7al estreou como atriz na pe\u00e7a <em>Gota d&#8217;\u00e1gua<\/em> {Preta}.<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Ju\u00e7ara Mar\u00e7al lan\u00e7ou em setembro de 2021 seu novo \u00e1lbum solo, <em>Delta Est\u00e1cio Blues<\/em>, patrocinado pela Natura Musical. A produ\u00e7\u00e3o musical \u00e9 de Kiko Dinucci. O disco foi lan\u00e7ado em parceria com os selos QTV, Mais Um Discos e Goma Gringa. Delta Est\u00e1cio Blues ganhou o pr\u00eamio de Melhor \u00c1lbum de 2021 pelo Super J\u00fari do Pr\u00eamio Multishow, e Crash ganhou o de Melhor Can\u00e7\u00e3o. O disco tamb\u00e9m foi escolhido pela APCA (Associa\u00e7\u00e3o Paulista dos Cr\u00edticos de Arte), como o melhor \u00e1lbum de 2021.<\/span><\/p>\n<div class=\"su-divider su-divider-style-dashed\" style=\"margin:15px 0;border-width:2px;border-color:#dcad61\"><\/div>\n<h5 style=\"color: #dcad61;\"><span style=\"color: #dcad61;\"><strong>Christophe Rocher<br \/>\n<\/strong><em><span style=\"color: #dcad61;\">Compositor, improvisador e clarinetista<\/span><\/em><br \/>\n<em><span style=\"color: #dcad61;\">Diretor art\u00edstico e fundador do Ensemble <\/span><\/em><em><span style=\"color: #dcad61;\">Nautilis <\/span><\/em><\/span><\/h5>\n<p><span style=\"color: #dcad61;\">Foi formado no Conservat\u00f3rio de Clichy, e depois durante sua juventude, pelos &#8220;mestres&#8221; <em>Jacques Di Donato<\/em>, <em>Fabrizio Cassol <\/em>e <em>Steve Coleman<\/em>, entre outros. Hoje, Christophe \u00e9 um dos principais clarinetistas franceses, conhecido por suas texturas s\u00f4nicas e melodias complexas, e \u00e9 tamb\u00e9m um compositor de jazz original e inovador.<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Ele colaborou com figuras importantes do jazz e da m\u00fasica improvisada na Fran\u00e7a, na Europa e nos Estados Unidos. Ele fundou o <em>Ensemble <\/em><em>Nautilis<\/em>, dentro do qual ele desenvolve sua m\u00fasica atrav\u00e9s de cria\u00e7\u00f5es e projetos variados.<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Em 1991, Christophe obteve um diploma de engenharia em Intelig\u00eancia Artificial, o que lhe permitiu desenvolver um olhar particular sobre a liga\u00e7\u00e3o entre a m\u00fasica e o mundo da ci\u00eancia, ao longo de sua carreira.<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Desde sempre, Christophe tem promovido uma vis\u00e3o construtiva do lugar da m\u00fasica criativa em nossas sociedades contempor\u00e2neas, tanto como artista quanto como criador de eventos e novos grupos.<\/span><\/p>\n<div class=\"su-divider su-divider-style-dashed\" style=\"margin:15px 0;border-width:2px;border-color:#dcad61\"><\/div>\n<h5 style=\"color: #dcad61;\"><span style=\"color: #dcad61;\"><strong>Lello Bezarra<br \/>\n<\/strong><em><span style=\"color: #dcad61;\">Guitarrista<\/span><\/em><\/span><\/h5>\n<p><span style=\"color: #dcad61;\">Lello Bezerra \u00e9 um dos maiores guitarristas brasileiros da nossa atualidade. \u00c9 compositor, improvisador, cientista sonoro e artista educador.<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Artista multi-g\u00eanero, Lello tem uma rela\u00e7\u00e3o t\u00e1til com os sons e est\u00e1 particularmente interessado nos ritmos brasileiros. Ele cria novos idiomas e texturas com guitarras preparadas e processadas por geradores de baixo, baixa e alta freq\u00fc\u00eancia, loops invertidos, microm\u00f3dulos e outras m\u00e1quinas conectadas a caixas ativas e amplificadores de guitarra.<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Atualmente, a forma mais refinada deste trabalho p\u00f3s-contempor\u00e2neo \u00e9 encontrada em seu primeiro registro solo, <em>Since Until Then<\/em>. O show de lan\u00e7amento foi realizado no SESC Pomp\u00e9ia, S\u00e3o Paulo, em novembro de 2019 e o disco foi premiado na lista dos 25 melhores \u00e1lbuns do segundo semestre de 2019 pela APCA.<\/span><\/p>\n<div class=\"su-divider su-divider-style-dashed\" style=\"margin:15px 0;border-width:2px;border-color:#dcad61\"><\/div>\n<h5><span style=\"color: #dcad61;\"><strong>Clara Bastos<br \/>\n<\/strong><em><span style=\"color: #dcad61;\">Contrabaixista<\/span><\/em><\/span><\/h5>\n<p><span style=\"color: #dcad61;\">Toca contrabaixo el\u00e9trico e ac\u00fastico, tendo participado de \u00e1lbuns e shows de artistas como <em>Itamar Assump\u00e7\u00e3o<\/em> e <em>Orqu\u00eddeas do Brasil, Tom Z\u00e9, Luiz Tatit, Socorro Lira, Paulo Miklos, M\u00fasica de Montagem, Trio Am\u00f3<\/em>, entre outros.<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Com Itamar Assump\u00e7\u00e3o, trabalhou por mais de dez anos, sendo tamb\u00e9m respons\u00e1vel pela transcri\u00e7\u00e3o de toda sua obra discogr\u00e1fica (<em>song book <\/em>&#8211; Pretobr\u00e1s 2006, em 2 volumes lan\u00e7ado pela Ediouro)<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Em teatro, como instrumentista, fez parte do elenco de 17 espet\u00e1culos musicais, sendo os mais recentes, <em>Eu de Voc\u00ea<\/em>(2019\/2022) de Denise Fraga, <em>Sweeney Todd<\/em> (2022) e <em>Cabaret dos Bichos<\/em> (2022)<\/span><\/p>\n<p><span style=\"color: #dcad61;\">\u00c9 mestre pela ECA- USP com a disserta\u00e7\u00e3o &#8220;Processos de composi\u00e7\u00e3o e Express\u00e3o na Obra de Itamar Assump\u00e7\u00e3o&#8221; (2012) e doutora pela UNESP com a pesquisa &#8220;O Estado de Presen\u00e7a na Performance Musical&#8221; (2019).<\/span><\/p>\n<p><span style=\"color: #dcad61;\">\u00c9 arranjadora nos projetos musicais <em>AViva Voz<\/em> (Ruth Guimar\u00e3es\/Socorro Lira), de 2021, e <em>Preto Urbano<\/em> (Salloma Jovino) de 2022.<\/span><\/p>\n<div class=\"su-divider su-divider-style-dashed\" style=\"margin:15px 0;border-width:2px;border-color:#dcad61\"><\/div>\n<h5><span style=\"color: #dcad61;\"><strong>Mauricio Takara<br \/>\n<\/strong><em><span style=\"color: #dcad61;\">Baterista, experimentador electr\u00f3nico<br \/>\n<\/span><\/em><\/span><\/h5>\n<p><span style=\"color: #dcad61;\">Mauricio Takara, nascido em S\u00e3o Paulo em 1982, come\u00e7ou a tocar viol\u00e3o ac\u00fastico aos sete anos de idade. Dois anos mais tarde, ele come\u00e7ou a tocar bateria.<\/span> <span style=\"color: #dcad61;\">Takara tocou com bandas punk hardcore locais durante toda a d\u00e9cada de 1990 e fundou a <em>Hurtmold<\/em> em 1998, lan\u00e7ando cinco discos na gravadora Submarine. Ele lan\u00e7ou seu primeiro \u00e1lbum solo na Desmonta Discos em 2003 e, desde ent\u00e3o, lan\u00e7ou mais tr\u00eas \u00e1lbuns solo na mesma gravadora, sendo o \u00faltimo &#8220;<em>Sobre Todas e Qualquer Coisa<\/em>&#8221; em 2010.<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Takara gravou com muitos artistas brasileiros, incluindo <em>Na\u00e7\u00e3o Zumbi<\/em>, <em>Vanessa Da Mata<\/em>, <em>Sabotage<\/em>, <em>Nan\u00e1 Vasconcelos<\/em> e <em>Marcelo Camelo<\/em>, assim como com artistas internacionais renomados como <em>Pharoah Sanders<\/em>, <em>Archie Shepp<\/em>, <em>Yusef Lateef<\/em>, <em>Roscoe Mitchell<\/em>, <em>Bill Dixon<\/em> e <em>Prefuse 73<\/em>.<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Takara tamb\u00e9m trabalha com outros projetos e m\u00fasicos de Chicago, incluindo a <em>Exploding Star Orchestra<\/em>, <em>The Eternals<\/em> e <em>Josh Abrams<\/em>.<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Takara fez turn\u00eas pela Europa (Festival Sonar\/Barcelona, Roskilde\/Denmark, Womex\/Seville e Club Transmediale\/Berlin), Estados Unidos, \u00cdndia (World Socials Forum) e Brasil (Festival Nublu Jazz, SESC Pinheiros e abertura para <em>Lo Borges<\/em> e <em>Milton Nascimento<\/em> no Festival Coquetel Molotov) e \u00e9 considerada uma das principais vozes da nova onda p\u00f3s-tropical da m\u00fasica brasileira.<\/span><\/p>\n<div class=\"su-divider su-divider-style-dashed\" style=\"margin:15px 0;border-width:2px;border-color:#dcad61\"><\/div>\n<h5><span style=\"color: #dcad61;\"><strong>Nicolas Pointard<br \/>\n<\/strong><em><span style=\"color: #dcad61;\">Baterista<\/span><\/em><\/span><\/h5>\n<p><span style=\"color: #dcad61;\">Nicolas \u00e9 um dos bateristas franceses mais originais e procurados. Ele come\u00e7ou a tocar o instrumento aos 9 anos de idade, tocou em pequenas bandas de trash metal, depois estudou m\u00fasica no ensino m\u00e9dio, tocou em bandas de m\u00fasica tradicional, e depois mais experimental.<\/span><\/p>\n<p><span style=\"color: #dcad61;\">Mais tarde, os ensinamentos de <em>C\u00e9sarius Alvim<\/em>, <em>Steve Mc Craven<\/em>, assim como numerosos cursos de treinamento com <em>Guillaume Orti<\/em>, <em>Beno\u00eet Delbecq<\/em> ou <em>Carlos Zingaro<\/em> incentivaram Nicolas a voltar-se para o Jazz e a m\u00fasica improvisada no final do s\u00e9culo passado, mas sempre permanecendo curioso, tocando tudo e qualquer coisa com qualquer coisa que venha junto.<\/span><\/p>\n<div class=\"su-divider su-divider-style-dashed\" style=\"margin:15px 0;border-width:2px;border-color:#dcad61\"><\/div>\n<h5><span style=\"color: #dcad61;\"><strong>Fr\u00e9d\u00e9ric B.Briet<br \/>\n<\/strong>Contrabaixista<\/span><\/h5>\n<p><span style=\"color: #dcad61;\">M\u00fasico profissional desde 1980, Fr\u00e9d\u00e9ric tocou no grupo <em>Magma<\/em>, ao lado de Christian Vander de 87 a 90, mas tamb\u00e9m com<em> Simon Goubert, Michel Graillier, Georges Brown, Steve Grossman, Emmanuel Bex, Alain Jean-Marie, Aldo Romano, Denis Badault,<\/em> etc. Em 1992, co-fundou o <em>coletivo Hask<\/em> com <em>Guillaume Orti, Benoit Delbecq, Gilles Coronado, Steve Arg\u00fcelles, Hubert Dupont<\/em> e <em>Olivier Sens<\/em>, bem como a <em>Orchestre P\u00e9dagogique Nimbus<\/em>. Em 2000, ajudou a criar o departamento de jazz no Conservat\u00f3rio de Brest.<\/span><br \/>\n<span style=\"color: #dcad61;\">Fr\u00e9d\u00e9ric \u00e9 um dos membros fundadores do <em>Nautilis Ensemble<\/em>, com quem colabora em uma ampla variedade de projetos art\u00edsticos (<em>Rr\u00eave S\u00e9lavy, Third Coast Ensemble, No Silenz, Brain Songs, Bonadventure Pencroff, Les B\u00fbches<\/em> etc.).<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;TEASERS&#8221; tab_id=&#8221;1694771559359-540ca5f1-6703&#8243;][vc_column_text]Pr\u00e9sentation du groupe par les musiciens :<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"ABAJUR\" src=\"https:\/\/player.vimeo.com\/video\/891902339?badge=0&amp;autopause=0&amp;quality_selector=1&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\"><\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>[\/vc_column_text][vc_column_text]Les sons et images de la r\u00e9sidence et de la premi\u00e8re tourn\u00e9e d&#8217;ABAJUR au Br\u00e9sil en octobre 2022 :<\/p>\n<div style=\"padding: 50.00% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/806082416?h=8e3c1f8546&amp;title=0&amp;byline=0&amp;portrait=0&amp;speed=0&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;VID\u00c9O&#8221; tab_id=&#8221;1702027322655-52e18636-749c&#8221;][vc_column_text]Pr\u00e9sentation du groupe par les musiciens (entrevue SESC Jazz Fest &#8211; octobre 2022) :<\/p>\n<div style=\"padding: 50.00% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/864753916?h=8e3c1f8546&amp;title=0&amp;byline=0&amp;portrait=0&amp;speed=0&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;DERNI\u00c8RES NOUVELLES&#8221; tab_id=&#8221;1662713340147-88f979cd-f368&#8243;][vc_column_text]\t\t<div class=\"wppsac-slick-slider-wrp wppsac-clearfix \">\r\n\t\t\t<div id=\"wppsac-post-slider-1\" class=\"wppsac-post-slider-init wppsac-post-slider design-1\">\r\n\t\t\t\t\r\n<div class=\"wppsac-post-slides\">\r\n\t<div class=\"wppsac-post-content-position\">\r\n\t\t<div class=\"wppsac-post-content-left wp-medium-8 wpcolumns\">\r\n\t\t\t\t\t\t\t<div class=\"wppsac-post-categories\"><ul class=\"wppsac-post-categories-list\"><li><a href=\"https:\/\/www.ensemble-nautilis.org\/category\/abajur\/\" rel=\"category\"> abajur <\/a><\/li><li><a href=\"https:\/\/www.ensemble-nautilis.org\/category\/brasilagora\/\" rel=\"category\"> brasilagora <\/a><\/li><li><a href=\"https:\/\/www.ensemble-nautilis.org\/category\/projets-de-territoire\/brazil\/\" rel=\"category\"> Brazil <\/a><\/li><li><a href=\"https:\/\/www.ensemble-nautilis.org\/category\/yermat\/\" rel=\"category\"> yermat <\/a><\/li><\/ul><\/div>\r\n\t\t\t\t\t  \t<h2 class=\"wppsac-post-title\">\r\n\t\t\t\t<a href=\"https:\/\/www.ensemble-nautilis.org\/nautilis-brasil-tour-2023\/\">Nautilis Brasil Tour 2023<\/a>\r\n\t\t\t<\/h2>\r\n\t\t\t\t\t\t\t<div class=\"wppsac-post-date\">\r\n\t\t\t\t\t20 September 2023\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"wppsac-post-content\">\r\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"wppsac-sub-content\">[vc_row full_width=\"stretch_row\" full_height=\"yes\" parallax=\"content-moving\"][vc_column][vc_column_text] Nautilis Brasil Tour 2023 Depuis plus de trois ans, les musicien.ne.s de l\u2019Ensemble Nautilis\u00a0ont \u00e9tabli des ponts transatlantiques avec de nombreux artistes br\u00e9silien.ne.s, au gr\u00e9 de multiples voyages au Br\u00e9sil, et d\u2019accueils de musicien.ne.s \u00e0 Brest. Du\u00a003 ao\u00fbt au 02 septembre 2023, les trois musiciens du...<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t<div class=\"wppsac-post-image-bg\">\r\n\t\t\t<a href=\"https:\/\/www.ensemble-nautilis.org\/nautilis-brasil-tour-2023\/\">\r\n\t\t\t\t\t\t\t\t\t<img decoding=\"async\"  src=\"https:\/\/www.ensemble-nautilis.org\/wp-content\/uploads\/CINETEATRO-FORTALEZA_ABAJUR_8-1.jpg\" alt=\"Nautilis Brasil Tour 2023\" \/>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<div class=\"wppsac-post-slides\">\r\n\t<div class=\"wppsac-post-content-position\">\r\n\t\t<div class=\"wppsac-post-content-left wp-medium-8 wpcolumns\">\r\n\t\t\t\t\t\t\t<div class=\"wppsac-post-categories\"><ul class=\"wppsac-post-categories-list\"><li><a href=\"https:\/\/www.ensemble-nautilis.org\/category\/abajur\/\" rel=\"category\"> abajur <\/a><\/li><li><a href=\"https:\/\/www.ensemble-nautilis.org\/category\/projets-de-territoire\/brazil\/\" rel=\"category\"> Brazil <\/a><\/li><li><a href=\"https:\/\/www.ensemble-nautilis.org\/category\/divers\/\" rel=\"category\"> divers <\/a><\/li><li><a href=\"https:\/\/www.ensemble-nautilis.org\/category\/nautilis\/\" rel=\"category\"> NAUTILIS <\/a><\/li><li><a href=\"https:\/\/www.ensemble-nautilis.org\/category\/yermat\/\" rel=\"category\"> yermat <\/a><\/li><\/ul><\/div>\r\n\t\t\t\t\t  \t<h2 class=\"wppsac-post-title\">\r\n\t\t\t\t<a href=\"https:\/\/www.ensemble-nautilis.org\/brest-brasil-agora\/\">Brest Brasil Agora!<\/a>\r\n\t\t\t<\/h2>\r\n\t\t\t\t\t\t\t<div class=\"wppsac-post-date\">\r\n\t\t\t\t\t17 December 2021\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"wppsac-post-content\">\r\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"wppsac-sub-content\">[vc_row][vc_column width=\"1\/2\"][vc_column_text css=\".vc_custom_1639764118180{margin-right: 80px !important;margin-left: 80px !important;}\"] Depuis le 12 d\u00e9cembre, deux membres de Nautilis (Christophe Rocher &amp; Erwan Massiot) sont au Br\u00e9sil pour un voyage exploratoire, accompagn\u00e9s de Janick Tilly et C\u00e9cile Even de Plages Magn\u00e9tiques. L'objectif: \u00e9tudier la possibilit\u00e9 de monter un partenariat avec des musiciens br\u00e9siliens pour...<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t<div class=\"wppsac-post-image-bg\">\r\n\t\t\t<a href=\"https:\/\/www.ensemble-nautilis.org\/brest-brasil-agora\/\">\r\n\t\t\t\t\t\t\t\t\t<img decoding=\"async\"  src=\"https:\/\/www.ensemble-nautilis.org\/wp-content\/uploads\/rio_indio_2.jpeg\" alt=\"Brest Brasil Agora!\" \/>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\t\t\t<\/div>\r\n\t\t\t<div class=\"wppsac-slider-conf wppsac-hide\" data-conf=\"{&quot;dots&quot;:&quot;true&quot;,&quot;arrows&quot;:&quot;true&quot;,&quot;autoplay&quot;:&quot;true&quot;,&quot;autoplay_interval&quot;:3000,&quot;speed&quot;:&quot;2000&quot;,&quot;rtl&quot;:&quot;false&quot;,&quot;lazyload&quot;:&quot;&quot;}\"><\/div>\r\n\t\t<\/div>\r\n\t[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;CONCERTS&#8221; tab_id=&#8221;1662714356360-92d42f30-de24&#8243;][vc_column_text]\n<div id=\"MECCopyCode\" class=\"mec-calendar-metabox mec-shortcode\" style=\"text-align: center;\" title=\"Click to copy shortcode\">\n<h4 style=\"text-align: center;\"><strong><u>REPR\u00c9SENTATIONS PASS\u00c9ES<\/u><\/strong><\/h4>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"text-align: left;\">01\/09\/2023 : <b><a href=\"https:\/\/sampi.net.br\/jundiai\/noticias\/2784547\/cultura\/2023\/08\/espetaculo-abajur-no-sesc\" target=\"_blank\" rel=\"noopener\">SESC Jundia\u00ed<\/a> (S\u00e3o Paulo &#8211; Br\u00e9sil)<\/b><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"text-align: left;\">20\/08\/2023 : <b><a href=\"https:\/\/www.instagram.com\/p\/CwViwb3PT3T\/\" target=\"_blank\" rel=\"noopener\">Cineteatro S\u00e3o Luiz<\/a> (Fortaleza &#8211; Br\u00e9sil)<\/b><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"text-align: left;\">07\/10\/2022 : <b><a href=\"https:\/\/sescjazz.sescsp.org.br\/programacao\/abajur\/\" target=\"_blank\" rel=\"noopener\">SESC Pomp\u00e9ia<\/a> (S\u00e3o Paulo &#8211; Br\u00e9sil)<\/b><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"text-align: left;\">06\/10\/2022 : <strong><a href=\"https:\/\/sescjazz.sescsp.org.br\/programacao\/abajur\/\" target=\"_blank\" rel=\"noopener\">SESC S\u00e3o Jos\u00e9 dos Campos<\/a> (S\u00e3o Paulo &#8211; Br\u00e9sil)<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"text-align: left;\">11\/10\/2024 : <strong><a href=\"https:\/\/www.facebook.com\/photo\/?fbid=10225835737386528&amp;set=a.10200816554682597\" target=\"_blank\" rel=\"noopener\">Festival Jazz\u00e8bre<\/a> (Perpignan &#8211; France)<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"text-align: left;\">13\/10\/2024 : <strong><a href=\"https:\/\/www.facebook.com\/photo\/?fbid=2904959813009890&amp;set=pcb.2904970829675455\" target=\"_blank\" rel=\"noopener\">La Grande Boutique<\/a> &#8211; Atlantique Jazz Tour (Langonnet &#8211; France)<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"text-align: left;\">19\/10\/2024 : <strong><a href=\"https:\/\/www.facebook.com\/photo\/?fbid=1091346126334089&amp;set=pcb.1091346486334053\" target=\"_blank\" rel=\"noopener\">Le Quartz (Sc\u00e8ne Nationale)<\/a> &#8211; Atlantique Jazz Festival (Brest &#8211; France)<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div>\n[\/vc_column_text][vc_column_text]\n<div id=\"MECCopyCode\" class=\"mec-calendar-metabox mec-shortcode\" style=\"text-align: center;\" title=\"Click to copy shortcode\"><u><strong>PROCHAINS CONCERTS<\/strong><\/u><\/div>\n[\/vc_column_text][vc_column_text]\n<div id=\"MECCopyCode\" class=\"mec-calendar-metabox mec-shortcode\" title=\"Click to copy shortcode\"><div class=\"mec-wrap mec-skin-list-container  mec-dark-mode\" id=\"mec_skin_9344\">\r\n    \r\n    \r\n        <div class=\"mec-skin-list-events-container\" id=\"mec_skin_events_9344\">\r\n        No event found!    <\/div>\r\n        \r\n        \r\n<\/div><\/div>\n[\/vc_column_text][vc_single_image image=&#8221;9714&#8243; img_size=&#8221;1200&#215;798&#8243; alignment=&#8221;center&#8221;][\/vc_tta_section][vc_tta_section title=&#8221;PHOTOS&#8221; tab_id=&#8221;1662714775972-c216bf66-4a9a&#8221;][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;10700,10701,10702,10703,10704,10705,10706,10707,10708,10698,10697,10696,10695,10694,10693,10692,10691,10685,10686,10687,10688,10689,10690,10684&#8243;][\/vc_tta_section][\/vc_tta_tour][vc_row_inner][vc_column_inner][vc_separator color=&#8221;chino&#8221; style=&#8221;dotted&#8221; border_width=&#8221;2&#8243; el_width=&#8221;70&#8243;][vc_column_text]\n<h6>Avec le soutien financier de la DRAC Bretagne, de la R\u00e9gion Bretagne, du Conseil D\u00e9partemental du Finist\u00e8re, de la Ville de Brest, de l&#8217;Ambassade de France au Br\u00e9sil, de lInstitut Fran\u00e7ais \u00e0 Paris, de la Sacem, de la Spedidam, Henri Selmer France et JLV Sound Paris<\/h6>\n[\/vc_column_text][vc_column_text]\n<h6>Este projeto recebeu o apoio financeiro da DRAC Bretagne, da R\u00e9gion Bretagne, do Conseil D\u00e9partemental du Finist\u00e8re, da cidade de Brest, da Embaixada da Fran\u00e7a no Brasil, do Institut Fran\u00e7ais em Paris, da Sacem, da Spedidam, Henri Selmer France e JLV Sound Paris<\/h6>\n[\/vc_column_text][vc_gallery type=&#8221;image_grid&#8221; source=&#8221;external_link&#8221; external_img_size=&#8221;90&#215;66&#8243; onclick=&#8221;&#8221; custom_srcs=&#8221;#E-8_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&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1639764118180{margin-right: 80px !important;margin-left: 80px !important;}&#8221;] Depuis le 12 d\u00e9cembre, deux membres de Nautilis (Christophe Rocher &amp; Erwan Massiot) sont au Br\u00e9sil pour un voyage exploratoire, accompagn\u00e9s de Janick Tilly et C\u00e9cile Even de Plages Magn\u00e9tiques. L&#8217;objectif: \u00e9tudier la possibilit\u00e9 de monter un partenariat avec des musiciens br\u00e9siliens pour les prochaines ann\u00e9es. Retrouvez chaque [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3498,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9247","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ensemble-nautilis.org\/wp-json\/wp\/v2\/pages\/9247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensemble-nautilis.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ensemble-nautilis.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensemble-nautilis.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ensemble-nautilis.org\/wp-json\/wp\/v2\/comments?post=9247"}],"version-history":[{"count":138,"href":"https:\/\/www.ensemble-nautilis.org\/wp-json\/wp\/v2\/pages\/9247\/revisions"}],"predecessor-version":[{"id":11554,"href":"https:\/\/www.ensemble-nautilis.org\/wp-json\/wp\/v2\/pages\/9247\/revisions\/11554"}],"up":[{"embeddable":true,"href":"https:\/\/www.ensemble-nautilis.org\/wp-json\/wp\/v2\/pages\/3498"}],"wp:attachment":[{"href":"https:\/\/www.ensemble-nautilis.org\/wp-json\/wp\/v2\/media?parent=9247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}